Roxi, companion in Cranford
Where the hotel frontages give way to houses and people stay a while.
- Age
- 23
- Where she works from
- Cranford
- Her home district
- Pimlico
- An hour opens at
- £250
- Height
- 168 cm
- Hair
- long black
- Eyes
- brown
- Figure
- curvy
- Languages
- English
About Roxi
Cranford sits at the eastern end of the Bath Road where the hotel frontages give way to houses, and Roxi likes it because guests here are usually staying two or three nights rather than passing through on a connection. Curvy, 168 cm, her black hair long enough to reach her waist, her dark brown eyes widening when she laughs, which is frequently and loudly. Twenty three, she dresses boldly and well: strong colour, a fitted dress, heels she has absolutely no intention of swapping for anything sensible.
She is loud in the best sense, funny and quick and completely unbothered by a quiet room she has to fill. She also knows exactly when to stop talking, which is the rarer half of the skill. English is her language and there is plenty of it. She sings along to things badly and will insist the words are wrong on purpose, which they are not.
The Berkeley Arms on the Bath Road at Cranford is where she usually meets people, close enough to the Hayes hotels to walk on a dry night and far enough east to feel like a different town altogether. Cranford is Piccadilly line country: Hounslow West is five minutes by car, Hatton Cross a little further, and the buses run along the road until late. Roxi travels in from Pimlico, fifty minutes on the tube, and she never drives if she can possibly avoid it. Three hours is the airport minimum with her travel inside it.
Cranford Park, the Piccadilly line stations and the eastern end of the hotel strip are all on the Cranford page, and one message to Hester will get you Roxi's next free night.
- Cranford, TW5
- 168 cm, curvy
- Long black hair, brown eyes
- Twenty three, travels out from Pimlico
- Five minutes by road from Hounslow West
Booking her evening
Cranford guests tend to book several nights, so Hester will often suggest two evenings rather than one longer booking. Give her the hotel and your dates and she will lay out the options.
Her figures are the desk figures, published in full on rates, and the whole arrangement runs in one thread from the first line to the confirmation. Every frame in the hall is reached from the hall.
Also out to the perimeter
An evening with Roxi
Roxi fills a room from the doorway and she is completely unapologetic about it. The Berkeley Arms is her usual first stop, an old pub on the Bath Road at the Cranford end where the airport crowd thins out and the locals take over. She is good in that room: she talks to everyone, she remembers names, and she will have the barman on side inside a quarter of an hour. Dinner afterwards is back at the hotel or along the road at Hayes. What she is really good at, though, is the drop in volume later on, when the noise stops and she turns out to be a far more careful listener than the first hour suggested. Guests who book her expecting a party frequently tell the desk afterwards that the quiet part was the best of it.
Roxi, in her own words
Which line serves Cranford?
Are you always this loud?
Two shorter evenings or one long one?
Where she sits on the roster
Written in afterwards
Nothing is written here for Roxi yet, which out here is usually what discretion looks like. A note appears only when a guest writes one, she agrees to it, and the desk has checked that it reads as a first name, a month and nothing private.