Rosa, companion in Sipson
Off the motorway in under a minute, and she is already in the lobby.
- Age
- 25
- Where she works from
- Sipson
- Her home district
- Marylebone
- An hour opens at
- £250
- Height
- 160 cm
- Hair
- long chestnut brown, curly
- Eyes
- brown
- Figure
- curvy
- Languages
- English
About Rosa
Junction four of the M4 drops you onto Sipson Road in under a minute, and the hotel there is the first proper building you meet. Rosa has been meeting guests in that lobby for long enough to be greeted by name at the desk. Curvy, 160 cm, her chestnut brown hair long, curly and tight, which she flatly refuses to straighten, and brown eyes that are amused about something most of the time. Twenty five, she dresses bright: a red dress, a soft coat, a heel that supplies the height she was not issued with.
She is warm, quick and a little cheeky, and she treats a hotel evening as a chance to enjoy herself rather than a shift to get through. She tells stories well and usually against herself. English is what she speaks and a good deal of it arrives through her hands. She dances badly and often, and nobody has ever persuaded her that this constitutes a problem.
Sipson is a village the airport grew around rather than over, and it is a far quieter address than its position suggests. From that Sipson Road hotel it is seven minutes to Terminals 2 and 3 by road, a little more to Terminal 5, and about half an hour on foot to West Drayton station if you fancy it, which almost nobody does after a long flight. Rosa travels out from Marylebone by road, an hour door to door in the evening. Three hours is the shortest booking on this side of the airport, travel counted within it.
The junction four hotels and the village behind them are described on the Sipson page. Tell Hester your hotel and your timings. Rosa will be in that lobby before you have finished at the desk.
- Sipson, UB7
- 160 cm, curvy
- Long curly chestnut brown hair, brown eyes
- Twenty five, travels out from Marylebone
- Seven minutes from Terminals 2 and 3
Booking her evening
Rooms at junction four are usually fixed the day before rather than weeks ahead, so Hester is used to short notice here. Give her the hotel, a start time and your terminal in the morning.
Her figures are the desk figures, published in full on rates, and the whole arrangement runs in one thread from the first line to the confirmation. Every frame in the hall is reached from the hall.
Also out to the perimeter
An evening with Rosa
Rosa arrives laughing at something, usually the traffic, and the first ten minutes tend to set the tone for the whole night. She is not a companion for a silent evening. She asks where you have come from and then wants the details, the bits people leave out, the argument at the gate and the man who reclined his seat. Dinner at the hotel is unglamorous and she is entirely at peace with that, mostly because she is far more interesting than the menu. If the weather is decent she will suggest ten minutes of air on Sipson Road, where the village starts and the motorway noise stops almost immediately, which surprises everyone the first time. The last part of the evening is unhurried, easy and a good deal funnier than most guests expect from a hotel by a junction.
Rosa, in her own words
Is junction four noisy?
How quickly can you get to me?
What do you like about this hotel?
Where she sits on the roster
Written in afterwards
Nothing is written here for Rosa yet, which out here is usually what discretion looks like. A note appears only when a guest writes one, she agrees to it, and the desk has checked that it reads as a first name, a month and nothing private.