Molly, companion in Colnbrook

Colnbrook High Street was the old coaching road west and it still looks the part: low frontages, a brook running under the pavement, the George Inn halfway along. Molly likes to arrive early enough to walk it. Curvy, 164 cm, her dark brown hair long, wavy and soft, her brown eyes crinkling a beat before she smiles. Twenty four, she dresses comfortably and expensively: a knitted dress, a good coat, flat shoes for the walk and something better waiting in the bag.

She is cheerful in a way that is plainly not an act, and she does not get flustered. A missed connection, a changed room, a guest who needs to be asleep by ten: all of it handled without comment and without a sigh. English is her language, warm and unfussy, and the questions she asks tend to make an hour disappear. She watches old films and will argue at length for the ones nobody else has heard of.

The George Inn is where she suggests starting, and from there it is five minutes by car to the Terminal 5 hotels on Poyle Road or ten back along the Old Bath Road. Colnbrook has no station of its own, which catches people out: Langley is thirty five minutes on foot and the 81 bus runs along the road towards Slough if you would rather not drive. Molly travels out from Soho, an hour by road at worst, and she leaves in good time because this is not a corner of London you can rush into. Three hours is the shortest booking here, travel counted in.

There is no station here, which makes the buses and the walking times worth reading, and both are on the Colnbrook page. Message Hester with a hotel name and she will fit the timings around your flight.

• Colnbrook, SL3
• 164 cm, curvy
• Long dark brown wavy hair, brown eyes
• Twenty four, travels out from Soho
• Five minutes from the Terminal 5 hotels

Hester plans Colnbrook evenings with a margin, since the Poyle roundabout can add twenty minutes without warning. Send her the hotel and your flight time and she will build in the slack.

Her figures are the desk figures, published in full on rates, and the whole arrangement runs in one thread from the first line to the confirmation. Every frame in the hall is reached from the hall.